《人们渴望信仰》是一部关于理想主义的喜剧。

A man finds out that what he believes is actually true but this knowledge comes at a price.

Young journalist is investigating some tragic moments from the history of WWII.

《我想相信3》探讨了外星生命存在的可能性以及对其展开的搜寻。

对当今时代最引人入胜且神秘莫测的主题之一展开的精彩探索。

这是一个关于青梅竹马的爱情故事。一场可怕的意外让这对儿时好友分离许久，两人也因此忘却了彼此。后来，他们在错误的时间重逢，但爱情的力量让他们最终还是再次走到了一起，并幸福地生活下去。

Roman Kurykin, an amateur jazzman and the owner of an absolute ear for music, cannot reconcile himself to the idea that his son Edik does not show any interest in music. The dejected father, in desperation, suspected that the child could have been replaced in the maternity hospital by mistake. He got the addresses of two families where the sons were born at the same time as the younger Kurykin. Kurykin reports his suspicions to two other fathers, Shulgin and Sazonov. In secret from their wives, husbands begin their investigation.

Rafi, a religiously devout young man who rejects all forms of idolatry, has his life upended by personal hardship. Consumed by grief and despair, he loses his sense of direction and, in his search for meaning, turns to tarot cards for guidance contradicting the beliefs he once held firmly.

For eight years, a team of specialists created a whole world about which almost nothing was known. The world of Kievan Rus of the tenth century. They managed to make historical films with documentary accuracy. Icelandic sagas and the works of Oriental travelers, Byzantine books and, of course, ancient Russian chronicles were studied and researched. The oldest dated chronicle is kept in the Russian National Library in St. Petersburg. It was these texts that formed the basis of the script. Five built cities, hand—sewn costumes, forged weapons, a Viking ship — a drakkar — built according to the drawings of that time, complex computer graphics - all in order for the viewer to fully immerse himself in the atmosphere of the early Middle Ages of the Viking film.

The documentary shows how cinema in India is the main source of entertainment and how Bollywood—a centre of film business and of Indian filmography—is one great channel of communication among the different cultures and realities in contemporary India, as well as a real bond for such diversified people.